#Nch wavepad sound editor series

This book will provide a reader with skill and understanding in using Max/MSP for sound design and musical composition. Comprehensive online support, running parallel to the explanations in the book, includes hundreds of sample patches, analyses, interactive sound-building exercises, and reverse engineering exercises. Chapter I – Introduction to Sound Synthesis and Signal Processing Chapter II – Additive Synthesis Chapter III – Subtractive Synthesis Chapter IV – Controls and LFO Structured for use in university courses, the book is an overview of the theory and practice of Max/MSP, with a glossary of terms and suggested tests that allow students to evaluate their progress. CONTENTS Foreword to the Second Volume by Richard Boulanger Translator’s Note by Richard Dudas Chapter 5 DIGITAL AUDIO AND SAMPLED SOUNDS Interlude C MANAGING TIME, POLYPHONY, ATTRIBUTES AND ARGUMENTS Chapter 6 DELAY LINES Chapter 7 DYNAMICS PROCESSORS Interlude D ADVANCED PRESET MANAGEMENT, BPATCHER, VARIABLE ARGUMENTS, DATA AND SCORE MANAGEMENT Chapter 8 THE ART OF ORGANIZING SOUND: MOTION PROCESSES Chapter 9 MIDI AND REAL-TIME CONTROL Interlude E MAX FOR LIVEįourth Edition updated for MAX 8 – More than 500 pages, interactive examples, hundreds of patches, online support, theory and Max/MSP glossary, test, reverse engineering exercises, analyses, completion and correction of patches, etc.

Structured for use in university courses, the book is an overview of the theory and practice of Max/MSP, with a glossary of terms and suggested tests that allow students to evaluate their progress. It is part of a teaching method incorporating a substantial amount of online supporting materials: hundreds of sound examples and interactive examples, programs written in Max, as well as a library of Max objects created especially for this book.

#Nch wavepad sound editor series

This is the second in a series of three volumes dedicated to digital synthesis and sound design.